ONE THING "ABE" DIDN'T LOVE

Lincoln admitted that he was not particularly energetic when it came to real hard work.

"My father," said he one day, "taught me how to work, but not to love it. I never did like to work, and I don't deny it. I'd rather read, tell stories, crack jokes, talk, laugh—anything but work."

And on why Mrs Lincoln married him:

WHY SHE MARRIED HIM.

There was a "social" at Lincoln's house in Springfield, and "Abe" introduced his wife to Ward Lamon, his law partner. Lamon tells the story in these words:
"After introducing me to Mrs. Lincoln, he left us in conversation. I remarked to her that her husband was a great favorite in the eastern part of the State, where I had been stopping.
"'Yes,' she replied, 'he is a great favorite everywhere. He is to be President of the United States some day; if I had not thought so I never would have married him, for you can see he is not pretty.
"'But look at him, doesn't he look as if he would make a magnificent President?'"

HAD RESPECT FOR THE EGGS

Early in 1831, "Abe" was one of the guests of honor at a boat-launching, he and two others having built the craft. The affair was a notable one, people being present from the territory surrounding. A large party came from Springfield with an ample supply of whisky, to give the boat and its builders a send-off. It was a sort of bipartisan mass-meeting, but there was one prevailing spirit, that born of rye and corn. Speeches were made in the best of feeling, some in favor of Andrew Jackson and some in favor of Henry Clay.

Abraham Lincoln, the cook, told a number of funny stories, and it is recorded that they were not of too refined a character to suit the taste of his audience. A sleight-of-hand performer was present, and among other tricks performed, he fried some eggs in Lincoln's hat. Judge Herndon says, as explanatory to the delay in passing up the hat for the experiment, Lincoln drolly observed: "It was out of respect for the eggs, not care for my hat

Killing Lincoln : The Life, Crime, Capture of the Killer - 4

THE ASSASSIN'S DEATH.
Washington, April 28—8 P. M.

A hard and grizzly face overlooks me as I write. Its inconsiderable forehead is crowned with turning sandy hair, and the deep concave of its long insatiate jaws is almost hidden by a dense red beard, which can not still abate the terrible decision of the large mouth, so well sustained by searching eyes of spotted gray, which roll and rivet one. This is the face of Lafayette Baker, colonel and chief of the secret service. He has played the most perilous parts of the war, and is the capturer of the late President's murderer. The story that I am to tell you, as he and his trusty dependents told it to me, will be aptly commenced here, where the net was woven which took the dying life of Wilkes Booth.

When the murder occured, Colonel Baker was absent from Washington, He returned on the third morning, and was at once besought by Secretary Stanton to join the hue and cry against the escaped Booth. The sagacious detective found that nearly ten thousand cavalry, and one-fourth as many policemen, had been meantime scouring, without plan or compass, the whole territory of Southern Maryland. They were treading on each other's heels, and mixing up the thing so confoundedly, that the best place for the culprits to have gone would have been in the very midst of their pursuers. Baker at once possessed himself of the little the War Department had learned, and started immediately to take the usual detective measures, till then neglected, of offering a reward and getting out photographs of the suspected ones. He then dispatched a few chosen detectives to certain vital points, and awaited results.

The first of these was the capture of Atzeroth. Others, like the taking of Dr. Mudge, simultaneously occured. But the district supected being remote from the railway routes, and broken by no telegraph station, the colonel, to place himself nearer the theater of events, ordered an operator, with the necessary instrument, to tap the wire running to Point Lookout, near Chappells Point, and send him prompt messages.

The same steamer which took down the operator and two detectives. brought back one of the same detectives and a negro. This negro, taken to Colonel Baker's office, stated so positively that he had seen Booth and another man cross the Potomac in a fishing boat, while he was looking down upon them from a bank, that the colonel, was at first skeptical; but when examined the negro answered so readily and intelligently, recognizing the men from the photographs, that Baker knew at last that he had the true scent.

Straightway he sent to General Hancock for twenty-five men, and while the order was going, drew down his coast survey-maps. With that quick detective intuition amounting almost to inspiration, he cast upon the probable route and destination of the refugees, as well as the point where he would soonest strike them. Booth, he knew, would not keep along the coast, with frequent deep rivers to cross, nor, indeed, in any direction east of Richmond, where he was liable at any time to cross our lines of occupation; nor, being lame, could he ride on; horseback, so as to place himself very far westward of his point of debarkation in Virginia. But he would travel in a direct course from Bluff point, where he crossed to Eastern Tennessee, and this would take him through Port Royal on the Rappahannock river, in time to be intercepted there by the outgoing cavalry men.

When, therefore, twenty-five men, under one Lieutenant Dougherty, arrived at his office door, Baker placed the whole under control of his former lieutenant-colonel, E. J. Conger, and of his cousin, Lieutenant L. B. Baker—the first of Ohio, the last of New-York—and bade them go with all dispatch to Belle Plain on the Lower Potomac, there to disembark, and scour the country faithfully around Port Royal, but not to return unless they captured their men.

Conger is a short, decided, indomitable, courageous fellow, provincial in his manners, but fully understanding his business, and collected as a housewife on Sunday.

Young Baker is large and fine-looking—a soldier, but no policeman—and he deferred to Conger, very properly, during most of the events succeeding.

Quitting Washington at 2 o'clock P. M. on Monday, the detectives and cavalrymen disembarked at Belle Plain, on the border of Stafford county, at 10 o'clock, in the darkness. Belle Plain is simply the nearest landing to Fredericksburg, seventy miles from Washington city, and located upon Potomac creek. It is a wharf and warehouse merely, and here the steamer John S. Ide stopped and made fast, while the party galloped off in the darkness. Conger and Baker kept ahead, riding up to farm-houses and questioning the inmates, pretending to be in search of the Maryland gentlemen belonging to the party. But nobody had seen the parties described, and, after a futile ride on the Fredericksburg road, they turned shortly to the east, and kept up their baffled inquiries all the way to Port Conway, on the Rappahannock.

On Tuesday morning they presented themselves at the Port Royal ferry, and inquired of the ferry-man, while he was taking them over in squads of seven at a time, if he had seen any two such men. Continuing their inquiries at Port Royal, they found one Rollins a fisherman, who referred them to a negro named Lucas, as having driven two men a short distance toward Bowling Green in a wagon. It was found that these men answered to the description, Booth having a crutch as previously ascertained.

The day before Booth and Harold had applied at Port Conway for the general ferry-boat, but the ferryman was then fishing and would not desist for the inconsiderable fare of only two persons, but to their supposed good fortune a lot of confederate cavalrymen just then came along, who threatened the ferryman with a shot in the head if he did not instantly bring across his craft and transport the entire party. These cavalrymen were of Moseby's disbanded command, returning from Fairfax Court House to their homes in Caroline county. Their captain was on his way to visit a sweetheart at Bowling Green, and he had so far taken Booth under his patronage, that when the latter was haggling with Lucas for a team, he offered both Booth and Harold the use of his horse, to ride and walk alternately.

In this way Lucas was providentially done out of the job, and Booth rode off toward Bowling Green behind the confederate captain on one and the same horse.

So much learned, the detectives, with Rollins for a guide, dashed off in the bright daylight of Tuesday, moving southwestward through the level plains of Caroline, seldom stopping to ask questions, save at a certain halfway house, where a woman told them that the cavalry party of yesterday had returned minus one man. As this was far from circumstantial, the party rode along in the twilight, and reached Bowling Green at eleven o'clock in the night.

This is the court-house town of Caroline county—a small and scattered place, having within it an Ancient tavern, no longer used for other than lodging purposes; but here they hauled from his bed the captain aforesaid, and bade him dress himself. As soon as he comprehended the matter he became pallid and eagerly narrated all the facts in his possession. Booth, to his knowledge, was then lying at the house of one Garrett, which they had passed, and Harold had departed the existing day with the intention of rejoining him.

Taking this captain along for a guide, the worn out horsemen retraced, though some of the men were so haggard and wasted with travel that they had to be kicked into intelligence before they could climb to their saddles. The objects of the chase thus at hand, the detectives, full of sanguine purpose; hurried the cortege so well along that by 2 o'clock early morning, all halted at Garrett's gate. In the pale moonlight three hundred yards from the main road, to the left, a plain old farmhouse looked grayly through its environing locusts. It was worn and whitewashed, and two-storied, and its half-human windows glowered down upon the silent cavalrymen like watching owls, which stood as sentries over some horrible secret asleep within. The front of this house looked up the road toward the Rappahannock, but did not face it, and on that side a long Virginia porch protruded, where, in the summer, among the honeysuckles, the humming bird flew like a visible odor. Nearest the main road, against the pallid gable, a single-storied kitchen stood, and there were three other doors, one opening upon the porch, one in the kitchen gable, and one in the rear of the farmhouse.

Dimly seen behind, an old barn, high and weather-beaten, faced the roadside gate, for the house itself lay to the left of its own lane; and nestling beneath the barn, a few long corn-cribs lay with a cattle shed at hand. There was not a swell of the landscape anywhere in sight. A plain dead level contained all the tenements and structures. A worm fence stretched along the road broken by two battered gate posts, and between the road and the house, the lane was crossed by a second fence and gate. The farm-house lane, passing the house front, kept straight on to the barn, though a second carriage track ran up to the porch.

A Door through which the dying man was brought. B Corner at which the barn was fired. C Spot in the barn on which Booth stood. D Point where Corbett fired. E Porch where Booth died. G Door at which Lieutenant Baker knocked. H Shed. I Kitchen.]

It was a homely and primitive scene enough, pastoral as any farm boy's birth-place, and had been the seat of many toils and endearments. Young wives had been brought to it, and around its hearth the earliest cries of infants, gladdening mothers' hearts, had made the household jubilant till the stars came out, and were its only sentries, save the bright lights at its window-panes as of a camp-fire, and the suppressed chorusses of the domestic bivouac within, where apple toasting and nut cracking and country games shortened the winter shadows. Yet in this house, so peaceful by moonlight, murder had washed its spotted hands, and ministered to its satiated appetite. History—present in every nook in the broad young world—had stopped, to make a landmark of Garrett's farm.

In the dead stillness, Baker dismounted and forced the outer gate; Conger kept close behind him, and the horsemen followed cautiously. They made no noise in the soft clay, nor broke the all-foreboding silence anywhere, till the second gate swung open gratingly, yet even then nor hoarse nor shrill response came back, save distant croaking, as of frogs or owls, or the whizz of some passing night-hawk. So they surrounded the pleasant old homestead, each horseman, carbine in poise, adjusted under the grove of locusts, so as to inclose the dwelling with a circle of fire. After a pause, Baker rode to the kitchen door on the side, and dismounting, rapped and halloed lustily. An old man, in drawers and night-shirt, hastily undrew the bolts, and stood on the threshold, peering shiveringly into the darkness.

Baker seized him by the throat at once, and held a pistol to his ear. "Who—who is it that calls me?" cried the old man. "Where are the men who stay with you?" challenged Baker. "If you prevaricate you are a dead man!" The old fellow, who proved to be the head of the family, was so overawed and paralysed that he stammered, and shook, and said not a word. "Go light a candle," cried Baker, sternly, "and be quick about it." The trembling old man obeyed, and in a moment the imperfect rays flared upon his whitening hairs and bluishly pallid face. Then the question was repeated, backed up by the glimmering pistol, "where are those men?" The old man held to the wall, and his knees smote each other. "They are gone," he said. "We hav'n't got them in the house, I assure you that they are gone." Here there were sounds and whisperings in the main building adjoining, and the lieutenant strode to the door. A ludicrous instant intervened, the old man's modesty outran his terror. "Don't go in there," he said, feebly; "there are women undressed in there." "Damn the women," cried Baker; "what if they are undressed? We shall go in if they haven't a rag." Leaving the old man in mute astonishment, Baker bolted through the door, and stood in an assemblage of bare arms and night robes. His loaded pistol disarmed modesty of its delicacy and substituted therefor a seasonable terror. Here he repeated his summons, and the half light of the candle gave to his face a more than bandit ferocity. They all denied knowledge of the strangers' whereabouts.

In the interim Conger had also entered, and while the household and its invaders were thus in weird tableaux, a young man appeared, as if he had risen from the ground. The muzzles of everybody turned upon him in a second; but, while he blanched, he did not lose loquacity. "Father," he said, "we had better tell the truth about the matter. Those men whom you seek, gentlemen, are in the barn, I know. They went there to sleep." Leaving one soldier to guard the old man—and the soldier was very glad of the job, as it relieved him of personal hazard in the approaching combat—all the rest, with cocked pistols at the young man's head, followed on to the barn. It lay a hundred yards from the house, the front barndoor facing the west gable, and was an old and spacious structure, with floors only a trifle above the ground level.

The troops dismounted, were stationed at regular intervals around it, and ten yards distant at every point, four special guards placed to command the door and all with weapons in supple preparation, while Baker and Conger went direct to the portal. It had a padlock upon it, and the key of this Baker secured at once. In the interval of silence that ensued, the rustling of planks and straw was heard inside, as of persons rising from sleep.

At the same moment Baker hailed:

"To the persons in this barn. I have a proposal to make; we are about to send in to you the son of the man in whose custody you are found. Either surrender to him your arms and then give yourselves up, or we'll set fire to the place. We mean to take you both, or to have a bonfire and a shooting match."

No answer came to this of any kind. The lad, John M. Garrett, who was in deadly fear, was here pushed through the door by a sudden opening of it, and immediately Lieutenant Baker locked the door on the outside. The boy was heard to state his appeal in under tone. Booth replied:

"Damn you. Get out of here. You have betrayed me."

At the same time he placed his hand in his pocket as for a pistol. A remonstrance followed, but the boy slipped quickly over the reopened portal, reporting that his errand had failed, and that he dared not enter again. All this time the candle brought from the house to the barn was burning close beside the two detectives, rendering it easy for any one within to have shot them dead. This observed, the light was cautiously removed, and everybody took care to keep out of its reflection. By this time the crisis of the position was at hand, the cavalry exhibited very variable inclinations, some to run away, others to shoot Booth without a summons, but all excited and fitfully silent. At the house near by the female folks were seen collected in the doorway, and the necessities of the case provoked prompt conclusions. The boy was placed at a remote point, and the summons repeated by Baker:

"You must surrender inside there. Give up your arms and appear. There is no chance for escape. We give you five minutes to make up your mind."

A bold, clarion reply came from within, so strong as to be heard at the house door:

"Who are you, and what do you want with us?"

Baker again urged: "We want you to deliver up your arms and become our prisoners."

"But who are you?" hallooed the same strong voice.

Baker.—"That makes no difference. We know who you are, and we want you. We have here fifty men, armed with carbines and pistols. You cannot escape."

There was a long pause, and then Booth said:

"Captain, this is a hard case, I swear. Perhaps I am being taken by my own friends." No reply from the detectives.

Booth—"Well, give us a little time to consider."

[Illustration: Garrett's House, Where Booth Died—Sketched by W. N.
Walton, for "Harper's Weekly" for May 30th, 1865]


Baker—"Very well. Take time."

Here ensued a long and eventful pause. What thronging memories it brought to Booth, we can only guess. In this little interval he made the resolve to die. But he was cool and steady to the end. Baker, after a lapse, hailed for the last time.

"Well, we have waited long enough; surrender your arms and come out, or we'll fire the barn."

Booth answered thus: "I am but a cripple, a one-legged man. Withdraw your forces one hundred yard from the door, and I will come. Give me a chance for my life, captain. I will never be taken alive."

Baker—"We did not come here to fight, but to capture you. I say again, appear, or the barn shall be fired."

Then with a long breath, which could be heard outside, Booth cried in sudden calmness, still invisible, as were to him his enemies:

"Well, then, my brave boys, prepare a stretcher for me."

There was a pause repeated, broken by low discussions within between Booth and his associate, the former saying, as if in answer to some remonstrance or appeal, "Get away from me. You are a damned coward, and mean to leave me in my distress; but go, go. I don't want you to stay. I won't have you stay." Then he shouted aloud:

"There's a man inside who wants to surrender."

Baker—"Let him come, if he will bring his arms."

Here Harold, rattling at the door, said: "Let me out; open the door; I want to surrender."

Baker—"Hand out your arms, then."

Harold—"I have not got any."

Baker—"You are the man that carried the carbine yesterday; bring it out."

Harold—"I haven't got any."

This was said in a whining tone, and with an almost visible shiver. Booth cried aloud, at this hesitation: "He hasn't got any arms; they are mine, and I have kept them."

Baker—"Well, he carried the carbine, and must bring it out."

Booth—"On the word and honor of a gentleman, he has no arms with him.
They are mine, and I have got them."


At this time Harold was quite up to the door, within whispering distance of Baker. The latter told him to put out his hands to be handcuffed, at the same time drawing open the door a little distance. Harold thrust forth his hands, when Baker, seizing him, jerked him into the night, and straightway delivered him over to a deputation of cavalrymen. The fellow began to talk of his innocence and plead so noisily that Conger threatened to gag him unless he ceased. Then Booth made his last appeal, in the same clear unbroken voice:

"Captain, give me a chance. Draw off your men and I will fight them singly. I could have killed you six times to-night, but I believe you to be a brave man, and would not murder you. Give a lame man a show."

It was too late for parley. All this time Booth's voice had sounded from the middle of the barn.

Ere he ceased speaking, Colonel Conger, slipping around to the rear, drew some loose straws through a crack, and lit a match upon them. They were dry and blazed up in an instant, carrying a sheet of smoke and flame through the parted planks, and heaving in a twinkling a world of light and heat upon the magazine within. The blaze lit up the black recesses of the great barn till every wasp's nest and cobweb in the roof was luminous, flinging streaks of red and violet across the tumbled farm gear in the corner, plows, harrows, hoes, rakes, sugar mills, and making every separate grain in the high bin adjacent, gleam like a mote of precious gold. They tinged the beams, the upright columns, the barricades, where clover and timothy, piled high, held toward the hot incendiary their separate straws for the funeral pile. They bathed the murderer's retreat in beautiful illumination, and while in bold outline his figure stood revealed, they rose like an impenetrable wall to guard from sight the hated enemy who lit them. Behind the blaze, with his eye to a crack, Conger saw Wilkes Booth standing upright upon a crutch. He likens him at this instant to his brother Edwin, whom he says he so much resembled that he half believed, for the moment the whole pursuit to have been a mistake. At the gleam of the fire Wilkes dropped his crutch, and, carbine in both hands, crept up to the spot to espy the incendiary and shoot him dead. His eyes were lustrous like fever, and swelled and rolled in terrible beauty, while his teeth were fixed, and he wore the expression of one in the calmness before frenzy. In vain he peered with vengeance in his look; the blaze that made him visible concealed his enemy. A second he turned glaring at the fire, as if to leap upon it and extinguish it, but it had made such headway that this was a futile impulse and he dismissed it. As calmly as upon the battlefield a veteran stands amidst the hail of ball and shell, and plunging iron, Booth turned at a man's stride, and pushed for the door, carbine in poise, and the last resolve of death, which we name despair, set on his high, bloodless forehead.

As so he dashed, intent to expire not unaccompanied, a disobedient sergeant at an eye-hole drew upon him the fatal bead. The barn was all glorious with conflagration and in the beautiful ruin this outlawed man strode like all that, we know of wicked valor, stern in the face of death. A shock, a shout, a gathering up of his splendid figure as if to overtip the stature God gave him, and John Wilkes Booth fell headlong to the floor, lying there in a heap, a little life remaining.

"He has shot himself!" cried Baker, unaware of the source of the report, and rushing in, he grasped his arms to guard against any feint or strategy. A moment convinced him that further struggle with the prone flesh was useless. Booth did not move, nor breathe, nor gasp. Conger and two sergeants now entered, and taking up the body, they bore it in haste from the advancing flame, and laid it without upon the grass, all fresh with heavenly dew.

"Water," cried Conger, "bring water."

When this was dashed into his face, he revived a moment and stirred his lips. Baker put his ear close down, and heard him say:

"Tell mother—and die—for my country."

They lifted him again, the fire encroaching in hotness upon them and placed him on the porch before the dwelling.

A mattrass was brought down, on which they placed him and propped his head, and gave him water and brandy. The women of the household, joined meantime by another son, who had been found in one of the corn cribs, watching as he said, to see that Booth and Harold did not steal the horses, were nervous, but prompt to do the dying man all kindnesses, although waived sternly back by the detectives. They dipped a rag in brandy and water, and this being put between Booth's teeth he sucked it greedily. When he was able to articulate again, he muttered to Mr. Baker the same words, with an addenda. "Tell mother I died for my country. I thought I did for the best." Baker repeated this, saying at the same time "Booth, do I repeat it correctly." Booth nodded his head. By this time the grayness of dawn was approaching; moving figures inquisitively coming near were to be seen distinctly, and the cocks began to crow gutturally, though the barn was a hulk of blaze and ashes, sending toward the zenith a spiral line of dense smoke. The women became importunate that the troops might be ordered to extinguish the fire, which was spreading toward their precious corn-cribs. Not even death could banish the call of interest. Soldiers were sent to put out the fire, and Booth, relieved of the bustle around him, drew near to death apace. Twice he was heard to say, "kill me, kill me." His lips often moved but could complete no appreciable sound. He made once a motion which the quick eye of Conger understood to mean that his throat pained him. Conger put his finger there, when the dying man attempted to cough, but only caused the blood at his perforated neck to flow more, lively. He bled very little, although shot quite through, beneath and behind the ears, his collar being severed on both sides.

A soldier had been meanwhile despatched for a doctor, but the route and return were quite six miles, and the sinner was sinking fast. Still the women made efforts to get to see him, but were always rebuffed, and all the brandy they could find was demanded by the assassin, who motioned for strong drink every two minutes. He made frequent desires to be turned over, not by speech, but by gesture, and was alternately placed upon his back, belly and side. His tremendous vitality evidenced itself almost miraculously. Now and then, his heart would cease to throb, and his pulses would be as cold as a dead man's. Directly life would begin anew, the face would flush up effulgently, the eyes open and brighten, and soon relapsing, stillness re-asserted, would again be dispossessed by the same magnificent triumph of man over mortality. Finally the fussy little doctor arrived, in time to be useless. He probed the wound to see if the ball were not in it, and shook his head sagely, and talked learnedly.

Just at his coming Booth had asked to have his hands raised and shown him. They were so paralyzed that he did not know their location. When they were displayed he muttered, with a sad lethargy, "Useless, useless." These were the last words he ever uttered. As he began to die the sun rose and threw beams into all the tree-tops. It was of a man's height when the struggle of death twitched and fingered in the fading bravo's face. His jaw drew spasmodically and obliquely downward; his eyeballs rolled to-ward his feet, and began to swell; lividness, like a horrible shadow, fastened upon him, and, with a sort of gurgle and sudden check, he stretched his feet and threw his head back and gave up the ghost.

They sewed him up in a saddle blanket. This was his shroud; too like a soldier's. Harold, meantime, had been tied to a tree, but was now released for the march. Colonel Conger pushed on immediately for Washington; the cortege was to follow. Booth's only arms were his carbine knife, and two revolvers. They found about him bills of exchange, Canada money, and a diary. A venerable old negro living in the vicinity had the misfortune to possess a horse. This horse was a relic of former generations, and showed by his protruding ribs the general leanness of the land. He moved in an eccentric amble, and when put upon his speed was generally run backward. To this old negro's horse was harnessed a very shaky and absurd wagon, which rattled like approaching dissolution, and each part of it ran without any connection or correspondence with any other part. It had no tail-board, and its shafts were sharp as famine; and into this mimicry of a vehicle the murderer was to be sent to the Potomac river, while the man he had murdered was moving in state across the mourning continent. The old negro geared up his wagon by means of a set of fossil harness, and when it was backed to Garrett's porch, they laid within it the discolored corpse. The corpse was tied with ropes around the legs and made fast to the wagon sides. Harold's legs were tied to stirrups, and he was placed in the centre of four murderous looking cavalrymen. The two sons of Garrett were also taken along, despite the sobs and petitions of the old folks and women, but the rebel captain who had given Booth a lift, got off amidst the night's agitations, and was not rearrested. So moved the cavalcade of retribution, with death in its midst, along the road to Port Royal. When the wagon started, Booth's wound till now scarcely dribbling, began to run anew. It fell through the crack of the wagon, dripping upon the axle, and spotting the road with terrible wafers. It stained the planks, and soaked the blankets; and the old negro, at a stoppage, dabbled his hands in it by mistake; he drew back instantly, with a shudder and stifled expletive, "Gor-r-r, dat'll never come off in de world; it's murderer's blood." He wrung his hands, and looked imploringly at the officers, and shuddered again: "Gor-r-r, I wouldn't have dat on me fur tousand, tousand dollars." The progress of the team was slow, with frequent danger of shipwreck altogether, but toward noon the cortege filed through Port Royal, where the citizens came out to ask the matter, and why a man's body, covered with sombre blankets, was going by with so great escort. They were told that it was a wounded confederate, and so held their tongues. The little ferry, again in requisition, took them over by squads, and they pushed from Port Conway to Bell Plain, which they reached in the middle of the afternoon. All the way the blood dribbled from the corpse in a slow, incessant, sanguine exudation. The old negro was niggardly dismissed with two paper dollars. The dead man untied and cast upon the vessel's dock, steam gotten up in a little while, and the broad Potomac shores saw this skeleton ship flit by, as the bloody sun threw gashes and blots of unhealthy light along the silver surface.

All the way associate with the carcass, went Harold, shuddering in so grim companionship, and in the awakened fears of his own approaching. ordeal, beyond which it loomed already, the gossamer fabric of a scaffold. He tried to talk for his own exoneration, saying he had ridden, as was his wont, beyond the East Branch, and returning, found Booth wounded, who begged him to be his companion. Of his crime he knew nothing, so help him God, &c. But nobody listened to him. All interest of crime, courage, and retribution centered in the dead flesh at his feet. At Washington, high and low turned out to look on Booth. Only a few were permitted to see his corpse for purposes of recognition. It was fairly preserved, though on one side of the face distorted, and looking blue like death, and wildly bandit-like, as if beaten by avenging winds.

Yesterday the Secretary of War, without instructions of any kind, committed to Colonel Lafayette C. Baker, of the secret service, the stark corpse of J. Wilkes Booth. The secret service never fulfilled its volition more secretively. "What have you done with the body?" said I to Baker. "That is known" he answered, "to only one man living besides myself. It is gone. I will not tell you where. The only man who knows is sworn to silence. Never till the great trumpeter comes shall the grave of Booth be discovered." And this is true. Last night, the 27th of April, a small row boat received the carcass of the murderer; two men were in it they carried the body off into the darkness, and out of that darkness it will never return. In the darkness, like his great crime, may it remain forever, impalpable, invisible, nondescript, condemned to that worse than damnation,—annihilation. The river-bottom may ooze about it laden with great shot and drowning manacles. The earth may have opened to give it that silence and forgiveness which man will never give its memory. The fishes may swim around it, or the daisies grow white above it; but we shall never know. Mysterious, incomprehensible, unattainable, like the dim times through which we live and think upon as if we only dreamed them in perturbed fever, the assassin of a nation's head rests somewhere in the elements, and that is all; but if the indignant seas or the profaned turf shall ever vomit his corpse from their recesses, and it receive humane or Christian burial from some who do not recognize it, let the last words those decaying lips ever uttered be carved above them with a dagger, to tell the history of a young and once promising life—useless! useless!

LINCOLN AS A STORY WRITER.

In his youth, Mr. Lincoln once got an idea for a thrilling, romantic story.

One day, in Springfield, he was sitting with his feet on the window sill, chatting with an acquaintance, when he suddenly changed the drift of the conversation by saying: "Did you ever write out a story in your mind? I did when I was a little codger.

One day a wagon with a lady and two girls and a man broke down near us, and while they were fixing up, they cooked in our kitchen. The woman had books and read us stories, and they were the first I had ever heard. I took a great fancy to one of the girls; and when they were gone I thought of her a great deal, and one day when I was sitting out in the sun by the house I wrote out a story in my mind. I thought I took my father's horse and followed the wagon, and finally I found it, and they were surprised to see me. I talked with the girl, and persuaded her to elope with me; and that night I put her on my horse, and we started off across the prairie. After several hours we came to a camp; and when we rode up we found it was the one we had left a few hours before, and went in.

The next night we tried again, and the same thing happened—the horse came back to the same place; and then we concluded that we ought not to elope. I stayed until I had persuaded her father to give her to me. I always meant to write that story out and publish it, and I began once; but I concluded that it was not much of a story. But I think that was the beginning of love with me."

A FORTUNE-TELLER'S PREDICTION

Lincoln had been born and reared among people who were believers in premonitions and supernatural appearances all his life, and he once declared to his friends that he was "from boyhood superstitious."
He at one time said to Judge Arnold that "the near approach of the important events of his life were indicated by a presentiment or a strange dream, or in some other mysterious way it was impressed upon him that something important was to occur." This was earlier than 1850.
It is said that on his second visit to New Orleans, Lincoln and his companion, John Hanks, visited an old fortune-teller—a voodoo negress. Tradition says that "during the interview she became very much excited, and after various predictions, exclaimed: 'You will be President, and all the negroes will be free.'"
That the old voodoo negress should have foretold that the visitor would be President is not at all incredible. She doubtless told this to many aspiring lads, but Lincoln, so it is avowed took the prophecy seriously.

CASH WAS AT HAND

Lincoln was appointed postmaster at New Salem by President Jackson. The office was given him because everybody liked him, and because he was the only man willing to take it who could make out the returns. Lincoln was pleased, because it gave him a chance to read every newspaper taken in the vicinity. He had never been able to get half the newspapers he wanted before.
Years after the postoffice had been discontinued and Lincoln had become a practicing lawyer at Springfield, an agent of the Postoffice Department entered his office and inquired if Abraham Lincoln was within. Lincoln responded to his name, and was informed that the agent had called to collect the balance due the Department since the discontinuance of the New Salem office.
A shade of perplexity passed over Lincoln's face, which did not escape the notice of friends present. One of them said at once:
"Lincoln, if you are in want of money, let us help you."
He made no reply, but suddenly rose, and pulled out from a pile of books a little old trunk, and, returning to the table, asked the agent how much the amount of his debt was.
The sum was named, and then Lincoln opened the trunk, pulled out a little package of coin wrapped in a cotton rag, and counted out the exact sum, amounting to more than seventeen dollars.
After the agent had left the room, he remarked quietly that he had never used any man's money but his own. Although this sum had been in his hands during all those years, he had never regarded it as available, even for any temporary use of his own.

Killing Lincoln : The Life, Crime, Capture of the Killer - 3

THE MURDERER.
Washington, April 27th.

Justice is satisfied, though blinder vengeance may not be. While the illustrious murdered is on the way to the shrine, the stark corpse of his murderer lies in the shambles. The one died quietly, like his life; the other died fighting, like his crime. And now that over all of them the darkness and the dew have descended, the populace, which may not be all satisfied, may perhaps be calmed. No triumphal mourning can add to the President's glory; no further execration can disturb the assassin's slumbers. They have gone for what they were into history, into tradition, into the hereafter both of men and spirits; and what they were may be in part concluded. Mr. Lincoln's career passes, in extent, gravity, and eventful association, the province of newspaper biography; but Booth is the hero of a single deed, and the delineation of him may begin and be exhausted in a single article. I have been at pains, since the day of the President's obsequies, to collect all valid information on the subject of his assassin, in anticipation of the latter's capture and death. Now that these have been consummated, I shall print this biography.

The elder Booth in every land was a sojourner, as all his fathers were. Of Hebrew descent, and by a line of actors, he united in himself that strong Jewish physiognomy which, in its nobler phases, makes all that is dark and beautiful, and the combined vagrancy of all men of genius and all men of the stage. Fitful, powerful, passionate, his life was a succession of vices and triumphs. He mastered the intricate characters of dramatic literature by intuition, rather than by study, and produced them with a vigor and vividness which almost passed the depicting of real life. The stage on which he raved and fought became as historic as the actual decks of battle ships, and his small and brawny figure comes down to us in those paroxysms of delirious art, like that of Harold, or Richard, or Prince Rupert. He drank to excess, was profligate but not generous, required but not reliable, and licentious to the bounds of cruelty. He threw off the wife of his bosom to fly from England with a flower-girl, and, settling in Baltimore, dwelt with his younger companion, and brought up many children, while his first-possessed went down to a drunken and broken-hearted death. He himself, wandering westward, died on the way, errant and feverish, even in the closing moments. His widow, too conscious of her predecessor's wrongs, and often taunted with them, lived apart, frugal and discreet, and brought her six children up to honorable maturity. These were Junius Brutus, Edwin Forrest (though he drops the Forrest for professional considerations), John Wilkes, Joseph, and the girls. All of the boys are known to more or less of fame; none of them in his art has reached the renown of the father; but one has sent his name as far as that of the great playwright to whom they were pupils; wherever Shakspeare is quoted, John Wilkes Booth will be named, and infamously, like that Hubert in "King John," who would have murdered the gentle Prince Arthur.

It may not be a digression here to ask what has become of the children of the weird genius I have sketched above. Mrs. Booth, against whom calumny has had no word to say, now resides with her daughters in Nineteenth street, New-York. John S. Clarke dwells in princely style in Philadelphia, with the daughter whom he married; he is the business partner of Edwin Booth, and they are likely to become as powerful managers as they have been successful "stars." Edwin Booth, who is said to have the most perfect physical head in America, and whom the ladies call the beau ideal of the melancholy Dane, dwells also on Nineteenth street. He has acquired a fortune, and is, without doubt, a frankly loyal gentleman. He could not well be otherwise from his membership in the Century Club where literature and loyalty, are never dissolved. Correct and pleasing without being powerful or brilliant, he has led a plain and appreciated career, and latterly, to his honor, has been awakening among dramatic authors some emulation by offering handsome compensations for original plays. Junius Brutus Booth, the oldest of them all, most resembles in feature his wild and wayward father; he is not as good an actor as was Wilkes, and kept in the West, that border civilization of the drama; he now lies, on a serious charge of complicity, in Capitol Hill jail. Joseph Booth tried the stage as an utility actor and promptly failed. The best part he ever had to play was Orson in the "Iron Chest," and his discomfiture was signal; then he studied medicine but grew discouraged, and is now in California in an office of some sort. A son of Booth by his first wife became a first class lawyer in Boston. He never recognized the rest of the family. Wilkes Booth, the third son, was shot dead on Wednesday for attempting to escape from the consequences of murder. Such are the people to whom one of the greatest actors of our time gave his name and lineaments. But I have anticipated the story:

Although her family was large, it was not so hard sailing with Mrs. Rosalie Booth as may be inferred. Her husband's gains had been variably great, and they owned a farm of some value near Baltimore. The boys had plain but not sufficient schooling, though by the time John Wilkes grew up Edwin and Junius were making some little money and helping the family. So Wilkes was sent to a better school than they, where he made some eventful acquaintances. One of these won his admiration as much in the playground as in subsequent life upon the field of battle; this was Fitzhugh Lee, son of the great rebel chieftain. I have not heard that Lee ever had any friendship for young Wilkes, but his port and name were enough to excite a less ardent imagination—the son of a soldier already great, and a descendant of Washington. Wilkes Booth has often spoken of the memory of the young man, envied his success, and, perhaps, boasted of more intimacy than he ever had. The exemplars of young Wilkes, it was soon seen, were anything but literary. He hated school and pent-up life, and loved the open air. He used to stroll off to fish, though that sort of amusement was too sedentary for his nature, but went on fowling jaunts with enthusiasm. In these latter he manifested that fine nerve, and certain eye, which was the talk of all his associates; but his greatest love was the stable; He learned to ride with his first pair of boots, and hung around the grooms to beg permission to take the nags to water. He grew in later life to be both an indurated and a graceful horseman. Toward his mother and sisters he was affectionate without being obedient. Of all the sons, Wilkes was the most headstrong in-doors, and the most contented away from home. He had a fitful gentleness which won him forgiveness, and of one of his sisters he was particularly fond, but none had influence over him. He was seldom contentious, but obstinately bent, and what he willed, to did in silence, seeming to discard sympathy or confidence. As a boy he was never bright, except in a boy's sense; that is, he could run and leap well, fight when challenged, and generally fell in with the sentiment of the crowd. He therefore made many companions, and his early days all passed between Baltimore city and the adjacent farm.

I have heard it said as the only evidence of Booth's ferocity in those early times that he was always shooting cats, and killed off almost the entire breed in his neighbourhood. But on more than one occasion he ran away from both school and home, and once made the trip of the Chesapeake to the oyster fisheries without advising anybody of his family.

While yet very young, Wilkes Booth became an habitue at the theater. His traditions and tastes were all in that direction. His blood was of the stage, like that of the Keans, the Kembles, and the Wallacks. He would not commence at the bottom of the ladder and climb from round to round, nor take part in more than a few Thespian efforts. One night, however, a young actor, who was to have a benefit and wished to fill the house, resolved for the better purpose to give Wilkes a chance. He announced that a son of the great Booth of tradition, would enact the part of Richmond, and the announcement was enough. Before a crowded place, Booth played so badly that he was hissed. Still holding to his gossamer hopes and high conceit, Wilkes induced John S. Clarke, who was then addressing his sister, to obtain him a position in the company of the Arch Street Theater at Philadelphia.

For eight dollars a week, Wilkes Booth, at the age of twenty-two, contracted with William Wheatley to play in any piece or part for which he might be cast, and to appear every day at rehearsal. He had to play the Courier in Sheridan Knowles's "Wife" on his first night, with five or ten little speeches to make; but such was his nervousness that he blundered continually, and quite balked the piece. Soon afterward he undertook the part of one of the Venetian comrades in Hugo's "Lucretia Borgia," and was to have said in his turn—

"Madame, I am Petruchio Pandolfo;" instead of which he exclaimed:

"Madame, I am Pondolfio Pet—, Pedolfio Pat—, Pantuchio Ped—; damn it? what am I?"

The audience roared, and Booth, though full of chagrin, was compelled to laugh with them.

The very next night he was to play Dawson, an important part in Moore's tragedy of "The Gamester." He had bought a new dress to wear on this night, and made abundant preparation to do himself honor. He therefore invited a lady whom he knew to visit the theater, and witness his triumph. But at the instant of his appearance on the stage, the audience, remembering the Petruchio Pandolfo of the previous night, burst into laughter, hisses, and mock applause, so that he was struck dumb, and stood rigid, with nothing whatever to say. Mr. John Dolman, to whose Stukely has played, was compelled, therefore, to strike Dawson entirely out of the piece.

These occurrences nettled Booth, who protested that he studied faithfully but that his want of confidence ruined him. Mr. Fredericks the stage manager made constant complaints of Booth, who by the way, did not play under his full name, but as Mr. J. Wilkes—and he bore the general reputation of having no promise, and being a careless fellow. He associated freely with such of the subordinate actors as he liked; but being, through Clarke, then a rising favourite, of better connections, might, had he chosen, advanced himself socially, if not artistically. Clarke was to have a benefit one evening, and to enact, among other things, a mock Richard III., to which he allowed Wilkes Booth to play a real Richmond. On this occasion, for the first time, Booth showed some energy, and obtain some applause. But, in general, he was stumbling and worthless I myself remember, on three consecutive nights, hearing him trip up and receive suppressed hisses. He lacked enterprise; other young actors, instead of waiting to be given better parts, committed them to memory, in the hope that their real interpreter might not come to hand. Among these I recall John McCullough, who afterwards became quite a celebrated actor. He was getting, if I correctly remember, only six dollars a week, while Booth obtained eight. Yet Wilkes Booth seemed too slow or indifferent to get on the weather side of such chances. He still held the part of third walking gentleman, and the third is always the first to be walked off in case of strait, as was Wilkes Booth. He did not survive forty weeks engagement, nor make above three hundred dollars in all that time. The Kellers arrived; they cut down the company, and they dispensed with Wilkes Booth. He is remembered in Philadelphia by his failure as in the world by his crime.

About this time a manager named Kunkle gave Booth a salary of twenty dollars a week to go to the Richmond Theater. There he played a higher order of parts, and played them better, Winning applauses from the easy provincial cities, and taking, as everywhere the ladies by storm. I have never wondered why many actors were strongly predisposed toward the South. There, their social status is nine times as big as with us. The hospitable, lounging, buzzing character of the southerner is entirely consonant with the cosmopolitanism of the stage, and that easy "hang-up-your-hatativeness," which is the rule and the demand in Thespianship. We place actors outside of society, and execrate them because they are there. The South took them into affable fellowship, and was not ruined by it, but beloved by the fraternity. Booth played two seasons in Richmond, and left in some esteem.

When the John Brown raid occured, Booth left the Richmond Theater for the scene of strife in a picked company with which he had affiliated for some time. From his connection with the militia on this occasion he was wont to trace his fealty to Virginia. He was a non-commissioned officer, and remained at Charleston till after the execution, visiting the old pike man in jail, and his company was selected to form guard around the scaffold when John Brown went, white-haired, to his account. There may be in this a consolation for the canonizers of the first arm-bearer between the sections, that one whose unit swelled the host to crush out that brave old life, took from the scene inspiration enough to slay a merciful President in his unsuspecting leisure. Booth never referred to John Brown's death in bravado; possibly at that gallows began some such terrible purpose as he afterward consummated.

It was close upon the beginning of the war when Booth resolved to transform himself from a stock actor to a "star." As many will read this who do not understand such distinctions, let me preface it by explaining that a "star" is an actor who belongs to no one theater, but travels from each to all, playing a few weeks at a time, and sustained in his chief character by the regular or stock actors. A stock actor is a good actor, and a poor fool. A star is an advertisement in tights, who grows rich and corrupts the public taste. Booth was a star, and being so, had an agent. The agent is a trumpeter who goes on before, writing the impartial notices which you see in the editorial columns of country papers and counting noses at the theater doors. Booth's agent was one Matthew Canning, an exploded Philadelphia lawyer, who took to managing by passing the bar, and J. Wilkes no longer, but our country's rising tragedian. J. Wilkes Booth, opened in Montgomery, Alabama, in his father's consecrated part of Richard III. It was very different work between receiving eight dollars a week and getting half the gross proceeds of every performance. Booth kept northward when his engagement was done, playing in many cities such parts as Romeo, the Corsican Brothers, and Raphael in the "Marble Heart;" in all of these he gained applause, and his journey eastward, ending in eastern cities like Providence, Portland, and Boston was a long success, in part deserved. In Boston he received especial commendation for his enactment of Richard.

I have looked over this play, his best and favorite one, to see how closely the career of the crookback he so often delineated resembled his own.

How like that fearful night of Richard on Bosworth field must have been Booth's sleep in the barn at Port Royal, tortured by ghosts of victims all repeating.

"When I was mortal my anointed body
By thee was punched full of deadly holes:
Think on the Tower and me! Despair and die!"


Or this, from some of Booth's female victims:

"Let me sit heavy on thy soul to-morrow!
I that was washed to death with fulsome wine;
Poor Clarence, by thy guile betrayed to death:
To-morrow in the battle think on me; despair and die!"


These terrible conjurations must have recalled how aptly the scene as often rehearsed by Booth, sword in hand, where, leaping from his bed, he cries in horror:

"Give me another horse! bind up my wounds!
Have mercy, Jesu! Soft! I did but dream.
Oh! coward conscience how thou dost afflict me!
The lights burn blue. It is now dead midnight!
Cold, flareful drops stand on my trembling flesh.
What do I fear? Myself! there is none else by:
Is there a murderer here? No!—Yes!—I am!
Then fly,—what from myself?


* * * * *

My conscience hath a thousand several tongues,
And every tongue brings in a several tale.
And every tale condemns me for a villain!
Perjury, perjury in the highest degree:
Murder, stern murder in the direst degree:
All several sins, all used in each degree.
Throng to the bar, crying all, Guilty! guilty!"


By these starring engagments, Booth made incredible sums. His cashbook, for one single season, showed earnings deposited in bank of twenty-two odd thousand dollars. In New York he did not get a hearing, except at a benefit or two: where he played parts not of his selection. In Philadelphia his earlier failure predisposed the people to discard him, and they did. But he had made enough, and resolved to invest his winnings, The oil fever had just begun; he hired an agent, sent him to the western districts and gave him discretionary power; his investments all turned out profitable.

Booth died, as far as understood without debts. The day before the murder he paid an old friend a hundred dollars which he had borrowed two days previously. He banked at Jay Cook's in Washington, generally; but turned most of his funds into stock and other matters. He gave eighty dollars eight month's ago for a part investing with others in a piece of western oil land. The certificate for this land he gave to his sister. Just before he died his agent informed him that the share was worth fifteen thousand dollars. Booth kept his accounts latterly with great regularity, and was lavish as ever, but took note of all expenditures, however irregular. He was one of those men whom the possession of money seems to have energized; his life, so purposeless long before, grew by good fortune to a strict computation with the world. Yet what availed so sudden reformation, and of what use was the gaining of wealth, to throw one's life so soon away, and leap from competence to hunted infamy.

The beauty of this man and his easy confidentiality, not familiar, but marked by a mild and even dignity, made many women impassioned of him. He was licentious as men, and particularly as actors go, but not a seducer, so far as I can learn. I have traced one case in Philadelphia where a young girl who had seen him on the stage became enamored of him.

She sent him bouquets, notes, photographs and all the accessories of an intrigue. Booth, to whom such things were common, yielded to the girl's importunities at last and gave her an interview. He was surprised to find that so bold a correspondent was so young, so fresh, and so beautiful. He told her therefore, in pity, the consequences of pursuing him; that he entertained no affection for her, though a sufficient desire, and that he was a man of the world to whom all women grew fulsome in their turn.

"Go home," he said, "and beware of actors. They are to be seen, not to be known."

The girl, yet more infatuated, persisted. Booth, who had no real virtue except by scintillations, became what he had promised, and one more soul went to the isles of Cyprus.

In Montgomery, if I do not mistake, Booth met the woman from whom he received a stab which he carried all the rest of his days. She was an actress, and he visited her. They assumed a relation creditable only in La Boheme, and were as tender as love without esteem can ever be. But, after a time, Booth wearied of her and offered to say "good by." She refused—he treated her coldly; she pleaded—he passed her by.

Then, with a jealous woman's frenzy, she drew a knife upon him and stabbed him in the neck, with the intent to kill him. Being muscular, he quickly disarmed her, though he afterward suffered from the wound poignantly.

Does it not bring a blush to our faces that a good, great man, like he who has died—our President—should have met his fate from one so inured to a life of ribaldry? Yet, only such an one could have been found to murder Abraham Lincoln.

The women persecuted Booth more than he followed them. He was waylaid by married women in every provincial town or city where he played. His face was so youthful, yet so manly, and his movements so graceful and excellent, that other than the coarse and errant placed themselves in his way. After his celebrated Boston engagement, women of all ages and degrees pressed in crowds before the Tremont House to see him depart. Their motives were various, but whether curiosity or worse, exhibiting plainly the deep influence which Booth had upon the sex. He could be anywhere easy and gentlemanly, and it is a matter of wonder that with the entry which he had to many well-stocked homes, he did not make hospitality mourn and friendship find in his visit shame and ruin. I have not space to go into the millionth catalogue of Booth's intrigues, even if this journal permitted further elucidation of so banned a subject. Most of his adherents of this class were, like Heine's Polish virgins, and he was very popular with those dramatic ladies—few, I hope and know, in their profession—to whom divorce courts are superfluous. His last permanent acquaintance was one Ella Turner, of Richmond, who loved him with all the impetuosity of that love which does not think, and strove to die at the tidings of his crime and fight. Happy that even such a woman did not die associated with John Wilkes Booth. Such devotion to any other murderer would have earned some poet's tear. But the daisies will not grow a whole rod from his grave.

Of what avail, may we ask, on the impossible supposition that Booth's crime could have been considered heroic, was it that such a record should have dared to die for fame? Victory would have been ashamed of its champion, as England of Nelson, and France of Mirabeau.

I may add to this record that he had not been in Philadelphia a year, on first setting out in life, before getting into a transaction of the kind specified. For an affair at his boarding-house he was compelled to pay a considerable sum of money, and it happily occurred just as he was to quit the city. He had many quarrels and narrow escapes through his license, a husband in Syracuse, N. Y., once followed him all the way to Cleveland to avenge a domestic insult.

Booth's paper "To Whom it may Concern" was not his only attempt at influential composition. He sometimes persuaded himself that he had literary ability; but his orthography and pronunciation were worse than his syntax. The paper deposited with J. S. Clarke was useful as showing his power to entertain a deliberate purpose. It has one or two smart passages in it—as this:

"Our once bright red stripes look like bloody gashes on the face of heaven."

In the passages following there is common sense and lunacy:

"I know how foolish I shall be deemed for undertaking such a step as this, where, on the one side, I have many friends and everything to make me happy, where my profession alone, has gained me an income of more than twenty thousand dollars a year, and where my great personal ambition in my profession has such a great field for labor. On the other hand, the South have never bestowed upon me one kind word; a place now where I have no friends, except beneath the sod; a place where I must either become a private soldier or a beggar. To give up all of the former for the latter, besides my mother and sisters, whom I love so dearly (although they so widely differ with me in opinion) seems insane; but God is my judge."

Now, read the beginning of the manifesto, and see how prophetic were his words of his coming infamy. If he expected so much for capturing the President merely, what of our execration at slaying him?

"Right or wrong, God judge me, not man. For be my motive good or bad, of one thing I am sure, the lasting condemnation of the North.

"I love peace more than life. Have loved the Union beyond expression. For four years have I waited, hoped and prayed for the dark clouds to break, and for a restoration of our former sunshine. To wait longer would be a crime. All hope for peace is dead. My prayers have proved as idle as my hopes. God's will be done. I go to see and share the bitter end."

To wait longer would be a crime. Oh! what was the crime not to wait! Had he only shared the bitter end, then, in the common trench, his memory might have been hidden. The end had come when he appeared to make of benignant victory a quenchless revenge. One more selection from his apostrophe will do. It suggests the manner of his death:

"They say that the South has found that 'last ditch' which the North have so long derided. Should I reach her in safety, and find it true, I will proudly beg permission to triumph or die in that same 'ditch' by her side." The swamp near which he died may be called, without unseemly pun—a truth, not a bon mot—the last ditch of the rebellion.

None of the printed pictures that I have seen do justice to Booth. Some of the cartes de visite get him very nearly. He had one of the finest vital heads I have ever seen. In fact, he was one of the best exponents of vital beauty I have ever met. By this I refer to physical beauty in the Medician sense—health, shapeliness, power in beautiful poise, and seemingly more powerful in repose than in energy. His hands and feet were sizable, not small, and his legs were stout and muscular, but inclined to bow like his father's. From the waist up he was a perfect man; his chest being full and broad, his shoulders gently sloping, and his arms as white as alabaster, but hard as marble. Over these, upon a neck which was its proper column, rose the cornice of a fine Doric face, spare at the jaws and not anywhere over-ripe, but seamed with a nose of Roman model, the only relic of his half-Jewish parentage, which gave decision to the thoughtfully stern sweep of two direct, dark eyes, meaning to woman snare, and to man a search warrant, while the lofty square forehead and square brows were crowned with a weight of curling jetty hair, like a rich Corinthian capital. His profile was eagleish, and afar his countenance was haughty. He seemed throat full of introspections, ambitious self-examinings, eye-strides into the future, as if it withheld him something to which he had a right. I have since wondered whether this moody demeanor did not come of a guilty spirit, but all the Booths look so.

Wilkes spoke to me in Washington for the first time three weeks before the murder. His address was winning as a girl's, rising in effect not from what he said, but from how he said it. It was magnetic, and I can describe it therefore by its effects alone. I seemed, when he had spoken, to lean toward this man. His attitude spoke to me; with as easy familiarity as I ever observed he drew rear and conversed. The talk was on so trite things that it did not lie a second in the head, but when I left him it was with the feeling that a most agreeable fellow had passed by.

The next time the name of Wilkes Booth recurred to me was like the pistol shot he had fired. The right hand I had shaken murdered the father of the country.

Booth was not graceful with his feet, although his ordinary walk was pleasant enough. But his arms were put to artistic uses; not the baser ones like boxing, but all sorts of fencing, manual practice, and the handling of weapons.

In his dress, he was neat without being particular. Almost any clothes could fit him; but he had nothing of the exquisite about him; his neckties and all such matters were good without being gaudy. Nature had done much for him. In this beautiful palace an outlaw had builded his fire, and slept, and plotted, and dreamed.

I have heard it said that Booth frequently cut his adversaries upon the stage in sheer wantonness or bloodthirstiness. This is a mistake, and is attributable to his father, the elder Booth, who had the madness of confounding himself with the character. Wilkes was too good a fencer to make ugly gashes; his pride was his skill, not his awkwardness. Once

he was playing with John McCullough in the last act of "Richard." They were fighting desperately. Suddenly the cross-piece on the hilt of McCullough's sword flew off and cut the owner deeply in the forehead. Blood ran down McCullough's face, though they continued to struggle, and while, ostensibly, Booth was imitating a demon, he said in a half whisper:

"Good God, John, did I hurt you?"

And when they went off the stage, Booth was white with fear that he had gashed his friend.

As an actor, Booth was too energetic to be correct; his conception of Richard was vivid and original, one of the best that we have had, and he came nearer his father's rendering of the last act than any body we have had. His combat scene was terrific. The statement that his voice had failed has no valid foundation; it was as good when he challenged the cavalry-men to combat as in the best of his Thespian successes. In all acting that required delicate characterization, refined conception or carefulness, Booth was at sea. But in strong physical parts, requiring fair reading and an abundance of spring and tension, he was much finer than hearsay would have us believe.

His Romeo was described a short time ago by the Washington Intelligencer as the most satisfactory of all renderings of that fine character. He played the Corsican Brothers three weeks on a run in Boston. He played Pescara at Ford's Theater—his last mock part in this world—on to-morrow (Saturday) night, six weeks ago.

He was fond of learning and reciting fugitive poems. His favorite piece was "The Beautiful Snow" comparing it to a lost purity. He has been known by gentlemen in this city to recite this poem with fine effect, and cry all the while. This was on the principle of "guilty people sitting at a play." His pocket-book was generally full of little selections picked up at random, and he had considerable delicacy of appreciation.

On the morning of the murder, Booth breakfasted with Miss Carrie Bean, the daughter of a merchant, and a very respectable young lady, at the National Hall. He arose from the table at, say eleven o'clock. During the breakfast, those who watched him say that he was lively, piquant and self-possessed as ever in his life.

That night the horrible crime thrilled the land. A period of crippled flight succeeded. Living in swamps, upon trembling hospitality, upon hopes which sank as he leaned upon them. Booth passed the nights in perilous route or broken sleep, and in the end went down like a bravo, but in the eyes of all who read his history, commanding no respect for his valor, charity for his motive, or sympathy for his sin.

The closing scenes of these terrible days are reserved for a second paper. Much matter that should have gone into this is retained for the present.

PRESIDENT LINCOLN'S LAST PUBLIC ADDRESS.

The President made his last public address on the evening of April 11th, 1865, to a gathering at the White House. Said he:
"We meet this evening not in sorrow, but in gladness of heart.
"The evacuation of Petersburg and Richmond, and the surrender of the principal insurgent army, give hope of a righteous and speedy peace, whose joyous expression cannot be restrained.
"In the midst of this, however, He from whom all blessings flow must not be forgotten.
"Nor must those whose harder part gives us the cause of rejoicing be overlooked; their honors must not be parceled out with others.
"I myself was near the front, and had the high pleasure of transmitting the good news to you; but no part of the honor, for plan or execution, is mine.
"To General Grant, his skillful officers and brave men, all belongs."

SQUASHED A BRUTAL LIE

"A few days after the battle of Antietam, the President was driving over the field in an ambulance, accompanied by Marshal Lamon, General McClellan and another officer. Heavy details of men were engaged in the task of burying the dead. The ambulance had just reached the neighborhood of the old stone bridge, where the dead were piled highest, when Mr. Lincoln, suddenly slapping Marshal Lamon on the knee, exclaimed: 'Come, Lamon, give us that song about "Picayune Butler"; McClellan has never heard it.'
"'Not now, if you please,' said General McClellan, with a shudder; 'I would prefer to hear it some other place and time.'"
President Lincoln refused to pay any attention to the story, would not read the comments made upon it by the newspapers, and would permit neither denial nor explanation to be made. The National election was coming on, and the President's friends appealed to him to settle the matter for once and all. Marshal Lamon was particularly insistent, but the President merely said:
"Let the thing alone. If I have not established character enough to give the lie to this charge, I can only say that I am mistaken in my own estimate of myself. In politics, every man must skin his own skunk. These fellows are welcome to the hide of this one. Its body has already given forth its unsavory odor."
But Lamon would not "let the thing alone." He submitted to Lincoln a draft of what he conceived to be a suitable explanation, after reading which the President said:
"Lamon, your 'explanation' is entirely too belligerent in tone for so grave a matter. There is a heap of 'cussedness' mixed up with your usual amiability, and you are at times too fond of a fight. If I were you, I would simply state the facts as they were. I would give the statement as you have here, without the pepper and salt. Let me try my hand at it."
The President then took up a pen and wrote the following, which was copied and sent out as Marshal Lamon's refutation of the shameless slander:
"The President has known me intimately for nearly twenty years, and has often heard me sing little ditties. The battle of Antietam was fought on the 17th day of September, 1862. On the first day of October, just two weeks after the battle, the President, with some others, including myself, started from Washington to visit the Army, reaching Harper's Ferry at noon of that day.
"In a short while General McClellan came from his headquarters near the battleground, joined the President, and with him reviewed the troops at Bolivar Heights that afternoon, and at night returned to his headquarters, leaving the President at Harper's Ferry.
"On the morning of the second, the President, with General Sumner, reviewed the troops respectively at Loudon Heights and Maryland Heights, and at about noon started to General McClellan's headquarters, reaching there only in time to see very little before night.
"On the morning of the third all started on a review of the Third Corps and the cavalry, in the vicinity of the Antietam battle-ground. After getting through with General Burnside's corps, at the suggestion of General McClellan, he and the President left their horses to be led, and went into an ambulance to go to General Fitz John Porter's corps, which was two or three miles distant.
"I am not sure whether the President and General McClellan were in the same ambulance, or in different ones; but myself and some others were in the same with the President. On the way, and on no part of the battleground, and on what suggestions I do not remember, the President asked me to sing the little sad song that follows ("Twenty Years Ago, Tom"), which he had often heard me sing, and had always seemed to like very much.
"After it was over, some one of the party (I do not think it was the President) asked me to sing something else; and I sang two or three little comic things, of which 'Picayune Butler' was one. Porter's corps was reached and reviewed; then the battle-ground was passed over, and the most noted parts examined; then, in succession, the cavalry and Franklin's corps were reviewed, and the President and party returned to General McClellan's headquarters at the end of a very hard, hot and dusty day's work.
"Next day (the 4th), the President and General McClellan visited such of the wounded as still remained in the vicinity, including the now lamented General Richardson; then proceeded to and examined the South-Mountain battle-ground, at which point they parted, General McClellan returning to his camp, and the President returning to Washington, seeing, on the way, General Hartsoff, who lay wounded at Frederick Town.
"This is the whole story of the singing and its surroundings. Neither General McClellan nor any one else made any objections to the singing; the place was not on the battle-field; the time was sixteen days after the battle; no dead body was seen during the whole time the President was absent from Washington, nor even a grave that had not been rained on since the time it was made."